Tag Archives: Disney

Wreck-It Ralph (***)

30 Nov

Another solid work of animation from the new and improved Disney animation studios since Pixar took over. It drags a bit in spots but overall a very fun picture set in a videogame world, where the titular Ralph (John C. Reilly) is tired of being the Donkey Kong to a Mario-like hero called Fix-It Felix (Jack McBrayer). Determined to get some respect, he travels to other games and helps the fallen star of a Mario Kart-like game (Sarah Silverman) regain her rightful place.

Wreck-It Ralph could have been a lazy string of references to classic video games, but the script is smart, CGI animation is near-Pixar quality, and the voice work is generally very good, with exceptional work by Silverman. That said, as an animation geek I was just as pleased by the animated short presented beforehand – “Paper Man,” which combines traditional 2D animation with 3D. This has been hailed as revolutionary, and I suppose it is if you ignore one of the greatest animated films of all time- The Iron Giant- but it is very charming and lovely nonetheless, and I hope that Disney will consider longer projects using these techniques.

Either way, you can’t go wrong with Wreck-It Ralph. Between this and 2010′s Tangled, I am optimistic about the future of Disney animation.

Brave (***)

26 Jun

The latest Pixar film is the tale of Merida, a Scottish princess who would rather shoot targets with a bow or climb a dangerous rock face than take lessons in etiquette from her mother. Her father lost his leg in a battle with a particularly fierce bear and her little brothers are hell-raising triplets. Merida’s life reaches a breaking point when three allied clans show up to offer candidates for her hand in marriage, and since the manner of competition is her choice, she chooses archery – and wins her own hand, infuriating her mother and putting the truce between the clans in danger.

All of this information is given to us in the trailer and previews for the film, which promised a tale of action and adventure where a young woman declares her independence, thereby changing her fate. After the tournament, however, the plot goes places that I did not expect, nor did I care as much to follow. It’s not that it doesn’t make sense to go there; it’s just not as interesting to me as the other possible tales that could have been told about Merida. In that respect, this film reminds me of Pixar’s Wall-E: a splendid opening act with a middle and resolution that I found far less compelling.

I was talking with Nicole on the way home from the film – she enjoyed it more than I – and I speculated that Brave was the first Pixar film to feel more like a regular Disney film in terms of its subject matter and themes. She pointed out that unlike most traditional Disney princess tales, this is a film without a handsome prince to impress, deceased parents to mourn, or musical numbers. So perhaps I just need to be satisfied with the film that it is, and not what it isn’t.

That said, if you did enjoy Brave and would like to see more of this kind of thing, check out the splendid Irish production of The Secret of Kells, most of which was drawn by hand.

John Carter (***)

17 Mar

I took my 9-year-old son to see Disney’s John Carter today. This film received a lot of negative press in advance of its release, and when it wasn’t a box-office milestone last weekend, the follow-up press was equally unkind, as if to congratulate itself on predicting that the sun would come up in the morning. I don’t often pay attention to entertainment news or sites like Rotten Tomatoes, but it’s interesting to me that everyone I know who has seen the film loved it despite its 51% rating on RT (lower still for “top critics”, but 71% from audiences).

I must agree with the entertainment writers about one thing: John Carter has been promoted and reviewed abominably. I never would have guessed, from the trailers and commercials I saw, that the film would be as fun as it is. The production design alone is amazing, recalling the golden age of fantasy and pulp illustration. The script, criticized by some as too complex, is hardly that; it simply demands attention. I do feel that the framing device employing Edgar Rice Burroughs as a character is not worth the trouble, but the core of the film, where John Carter emerges as a hero to defend one faction of Mars against another, is splendid.

It definitely is not the kind of action film we are used to in this decade. It reminds me more of the failed franchises of my own childhood, especially the 1980 Flash Gordon and lesser works like Krull or Gor. The hero is larger than life, his love interest is exotic, the villain would twirl his moustache if he had one, and the fate of two worlds hangs in the balance. The battle sequences are especially impressive, with Civil War soldier Carter adapting surprisingly well to the low gravity and foreign technology suddenly thrust upon him.

So is it a perfect film? No. It’s overlong and the dialogue is a little too foolish at times even within its world. But it is still an excellent and fresh adventure film, one that will be replayed and remembered fondly in the decades to come, when the negative press is long forgotten. See it on the big screen while you have a chance.

Open Letter to Nicolas Cage

10 Feb

Hi Mr. Cage,

I’m writing because you’re on David Letterman right now promoting your new film, Ghost Rider: Spirit of Vengeance. I enjoyed the first Ghost Rider film, was pleasantly surprised that such a thing could even exist, much less be a fun movie and a good adaptation of the comics.

I know that you’re a fan of comics too, that’s why I wanted to write you and let you know about the creator of Ghost Rider, Gary Friedrich; today he was ordered to pay Marvel Comics $17,000 and to stop claiming that he created the character for the purposes of making money. Essentially, Marvel and its parent company, Disney, are asserting trademark ownership of the character and of course they are within their rights to do so. However, myself and many others who love and make comics feel that this judgement is needlessly punitive to Mr, Friedrich, who like many retired comics industry veterans does not have a lot of money to spare, much less $17,000 to give to one of the richest companies in the world. Here’s an article about the case: http://www.comicsalliance.com/2012/02/09/ghost-rider-creator-lawsuit/

Anyway, Mr. Cage, I don’t have any specific request for you, I just wanted to bring this matter to your attention in the hope that you or your fans can do something to help the man who created the character that you have brought to life on the screen so well. The film and comics industries are big businesses and they protect their properties within the letter of the law – sometimes going so far as to lobby for laws to be modified so they can protect them longer or more strenuously. But what good are these laws if the creators of the characters we love have to worry about going broke in their retirement?

I’m reminded of a line from one of my favourite movies, “My Favourite Year” starring Mark Linn-Baker and Peter O’Toole. After a huge TV star threatens to cut an aging movie star from his show, a young comedy writer tells his boss:

King, you’re a big star now, and I’m sure you always will be. But suppose someday you end up like this. I hope nobody does to you what you’re doing to him.

Thanks for your time, Mr. Cage, and good luck with your movie. I’m looking forward to seeing it.

Yours truly,

Scott Marshall
Saint John, NB, Canada

[Updates: Steve Niles has created a donation button for those who want to support Gary Friedrich.

Very amusing comments by the very amusing Ty Templeton on how this issue has brought out the worst in entitled fans.

And while I'm at it, here's some comments from the always wise Mark Evanier, and some additional insight from the other side of the desk by Jim Shooter.

Finally, about a week after the original story broke, reassurances from Marvel chiefs that convention sketches will not bring the wrath of God down upon cartoonists - provided they are part of a "Marvel-positive" experience. In other words, no Air Pirates-style shenanigans where the characters are shown in X-rated situations and the like. Hardly surprising.

As I write this update, this post has become by far the most-read post on my blog, and Nic Cage's second Ghost Rider film opens in two days. Thanks for reading it, I hope it gave you something to think about and I hope it inspires you to (1) think about what you support with your entertainment dollars and (2) read contracts carefully before you sign them. :) ]

Haiku Review: Camp Rock 2

31 Aug

Scott Pilgrim has tanked
While Jonas Brothers survive:
Proof there is no God.

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